Orchestral Excerpts

Semester I
    Beethoven  Egmont Overture, Leonore Calls No. 2 and 3
    Brahms  Academic Festival Overture
    Mussorgsky  Pictures at an Exhibition (Promenade)
    Respighi  Roman Festivals (off-stage)
    Rossini  William Tell Overture
    Stravinsky  Petrushka (ballerina's dance)

Semester II
   
Bach
Brandenburg Concerto No. 2 (octave lower)
    Copland  An Outdoor Overture, Fanfare for the Common Man
    Gershwin  An American in Paris, Piano Concerto in F
    Prokofiev  Lt. Kije
    Stravinsky  Petrushka (ballerina's dance)
    Tchaikovsky  Capriccio Italien, 1812 Overture, Marche Slave, Nutcracker (
Le Chocalate) , Swan Lake (Neopolitan Dance)

 Semesters III and IV
   
Beethoven  Symphonies Nos. 3 and 5
    Debussy  Fetes
    Dukas  Sorcerer's Apprentice
    Dvorak  Symphonies Nos. 8 and 9
    Franck  Symphony in d minor
    Handel  Messiah
    Prokofiev  Peter and the Wolf
    Ravel  Bolero (trumpet I in C), Piano Concerto
    Respighi  Fountains of Rome, Pines of Rome (off-stage solo)
    Rimsky-Korsakov  Capriccio Espagnol, Russian Easter Overture
    Shostakovitch  Symphony No. 5
    Sibelius  Finlandia
    Tchaikovsky  Symphony No. 4, Romeo and Juliet
    Verdi  Requiem (off-stage)

 Semesters V and VI
   
Debussy  La Mer
    Handel  Messiah
    Mahler  Symphonies Nos. 3 (off-stage) and 5 (opening solos)
    Ravel  Daphnis et Chloe
    Rimsky-Korsakov  Le Coq d'Or, Scherezade
   
Scriabin  Poem of Ecstasy
    Shostakovitch  Piano Concerto
    Sibelius  Symphony No. 2
    Stravinsky  Firebird, Petrushka
    Tchaikovsky  Symphonies No. 5 and 6
    Wagner  Parsifal Prelude

 Semesters VII and VIII
   
Bartok  Concerto for Orchestra
    Handel  Royal Fireworks Music, Water Music
   
Mussorgsky  Pictures at an Exhibition (Samuel and Schmuyle)
    Ravel  Rhapsodie espagnol
    Strauss  tone poems
    Stravinsky  Petrushka (ending), L'Histoire du Soldat, Rite of Spring

 Semesters IX and X:
   
Bach  Brandenburg Concerto No. 2, B minor Mass, Christmas Oratorio, Magnificat
    Mahler Symphonies
    Ravel  Bolero (D trumpet)
    Wagner  music dramas


Importance of Studying Orchestral Excerpts:

1)  It is a wonderful opportunity to play trumpet music written by major composers, most of whom did not write solos for the trumpet.
2)  The discipline required to play orchestral excerpts extremely well is the same discipline required to play any music really well.
3)  Orchestras perform in large, resonant halls with a lot of reverb.  It is therefore necessary to play with great clarity.
    
Clarity is important to any ensemble, and clarity makes your playing sparkle.
4)  Orchestral music is one on a part -- each player is a soloist.
5)  There are a fair number of orchestras around, and they generally pay you to play with them!
6)  Recordings of professionals playing this music are readily available so you can hear how the music should REALLY sound.
7)  Transposition teaches mental discipline and makes reading music that doesn't require transposing that much easier.
8)  Band directors must transpose all the time when they read scores and talk to students about their parts.
9)  When you transpose while you are playing, the transposition must be done in real time.
     
Any hesitancy in thinking results in missed notes or a hitch in the rhythm.

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Comments or suggestions, contact Dr. Jim Buckner bucknej@hsu.edu                 Home               This page last modified on Monday, December 22, 2008
The views and opinions expressed in this page are strictly those of the author.  The contents of this page have not been reviewed or approved by Henderson State University.
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